Voyagers! – Time-Travelling Ne’er-Do-Wells?

Remember the show “Voyagers!”? Old show from when I was a kid, a guy and a boy traipsed through time ‘fixing’ history?

Here’s the thing, something I just now realized: they were completely wasting their time.

One theory of time travel says that when you travel into the past and tweak things in history, you are in fact simply creating a new, branching timeline that contains the results of all of the events in the past that you changed. In fact, you could say that there is no way to actually travel back into your own past, because the simple act of doing so changes your history (even if you don’t actually do anything) and creates a new timeline. The timeline you left is completely unaltered, you have simply created a new future for yourself.

So by that theory the Voyagers are wasting their time. They travel into a past time period, see that something is wrong, and try to fix it. But wait! This isn’t their past, it’s simply a past with them in it. What they’re really doing is not “fixing” their timeline but attempting to create clones of their timeline along other, parallel timelines. Holy shit!

Realistically though, they are the cause of each “error” in time that they encounter. Toss out the above theory and let’s say that they are somehow magically able to travel back into their own past and change history. Here’s my question: how in the hell can history be progressing along the “wrong” path? What happened, happened. It’s already happened, it’s not like a thing happens and then once you move past it through time it keeps sitting there happening over and over like a CD player set to repeat one song, just waiting for someone to visit and make sure things are OK. Are we to believe that had the Voyagers not arrived to fix things then history would somehow go horribly awry, all by itself?

That is obviously impossible since the Voyagers have a handbook telling them the “proper” course of history, meaning that it had to have happened at least once and hence if you just leave it the fuck alone it should be just fine.

Or is that true?

Maybe the Voyagers aren’t time-travelling do-gooders after all? Maybe they actually use their “guidebook” as a road map changing history to suit their own future? Like Biff in Back To The Future 2 when he finds the book of sports facts and gives it to his past self to make his future self rich, they are bouncing around in the past in order to further their own economic or social motivations.

In this scenario Phineas Bogg (and other Voyagers like him) are simply stooges told that they are “fixing” time when in reality their guidebook is nothing more than an outline for future global domination. Why else would they (the Voyagers in charge, “The Man”) choose someone as ridiculous as a pirate from several centuries ago to travel and change history? Because he’s not only uninformed about the true course of most of human history, but he also lacks the critical thinking necessary to even wonder why he would be doing such a thing.

It’s fortuitous then that he loses his guidebook and needs to take along Jeffrey Jones. Without his guidebook he has no idea what he should be doing to “fix” history, and relies on young Jeffrey to tell him the true course of events. The problem is, Jeffrey is telling him what actually happened, not what the Voyagers want to happen.

So, when they jump into the middle of the French Revolution and see a red light on the Omni, it’s because another Voyager has probably already been there and has changed the past according to the directives in the Guidebook. Phineas and Jeffrey then unknowingly set things right again.

So it would seem that they were not in fact wasting their time, they actually were saving history as we know it. They just didn’t realize that they were undoing temporal damage done by other Voyagers in the process. I guess we owe them a debt of gratitude.

Acting Advice From A Professional Me

OK folks, it’s time to roll up our sleeves Baranovsky-style and get down to business… ACTING BUSINESS. You see, Yuri’s inspired me with the way he’s trying to share his knowledge of writing with the rest of the world and not hoard all of the talent for himself. I though I’d do a little of the same with acting, especially since it’s the giving season. You know, Gift Of The Magi, etc?

So I’m not a writer… yet! These tips may not be organized or even, for that matter, intelligible. I’ll try to get them out as coherently as possible and then let you, dear reader, get to the hard work of organizing it.

Know Your Lines

Yeah, this is really almost the only one you need for the most part. I should say, this is the minimum: if you don’t know your lines then you’re pretty much not even doing your job. That’s kind of all an actor really does, right? Talk? So yeah, know your damn lines when you show up (to the shoot, audition, what have you) or at least have the ability to know them really fast.

Don’t Be An Asshole

Seriously dude, dial it down. Yes, you’re young and attractive. Yes, people pay you to simply be young and attractive. Yes, you actually showed up knowing your lines.

You know what, scratch that. Assholes don’t generally show up knowing their lines. Ergo, if you take the time and consideration to learn your lines before walking on set, you are probably not an asshole. So assholes out there, find that place inside you that makes you want to know your lines when you walk in the door.

Shut The Hell Up

Nobody cares, dig? I think it’s great that you were on Nash Bridges and now you’ve been on Trauma. I’m really thrilled that you were on America’s Most Wanted and worked with that guy who was on that other show that one time but you can’t remember his name but I’d know him if I saw him. Actually, seriously, nobody in this room cares, even the guy you’re talking to right now. You know how I know that? Because that guy that you’re talking to is just waiting his turn so that he can vomit his resume all over YOU. If you actually have something interesting to talk about that has nothing to do with acting then I’m all ears, but you know what? Talk about it quietly because there are people here trying to get some work done, this is a casting director’s office after all.

Sub-Corollary To Above: Don’t Talk About Acting

People like doing business with people they like. People that aren’t actors don’t want to hear you talk about acting, and if you read the above paragraph carefully you may have noticed that people who ARE actors don’t want to hear you talk about acting either. They want to hear THEMSELVES talk about acting. So just read a book that isn’t a biography of some famous dead actor and come prepared to talk about that.

Watch A Lot Of Movies And TV

Shut up, I don’t want to hear how you “haven’t had cable for years” and you “don’t miss it one bit”. You’re an actor, unless you have a live closed-circuit feed from the Globe Theatre or Broadway in your home, you are NOT watching enough good acting by running around seeing regional theatre five nights a week. If you can afford to go to the movies every night, that’s terrific, but you probably can’t and wouldn’t want to anyway. That leaves TV, sorry, but it’s just the truth. And if you’d stop kissing your own ass for being a TV snob long enough you’d see there’s a lot of great storytelling going on all over television, but guess what? Most of it’s not on broadcast, which means you need cable. Or a fast Internet connection, or a Netflix account, whatever it takes. Just watch TV, it’s really where all the action is whether you like it or not.

There’s another reason to watch TV: despite what I say below about commercial auditions, every casting director for TV wants to cast someone that just fits right into what they’re looking for in the role. That means that you speak and deliver your lines in a way that fits with how everyone else on the show speaks and delivers their lines. It doesn’t dictate your delivery or your character or your acting choices within the scene, but it does dictate to some extent your overall tone of delivery.

Don’t believe me? Watch an episode of Law and Order, watch an episode of Mad Men, then come back here to apologize and tell me that I’m right.

“They” Have No Idea What They’re Looking For

I’m a ridiculously firm believer in this. When you go to an audition you will frequently get some idea what they are looking for in the character.

We’re talking commercial/paid work here, not film/TV/Indie, those guys really DO know what they’re looking for and wouldn’t call you in unless they thought you looked like THAT.

Anyway, not only should you not try to guess what they’re looking for and be that, you shouldn’t even listen to what they SAY they’re looking for and be that. Because you know what? You’re not a “Jim Carrey type”, or a “Steve Carell from The Office” type, or whatever comedic style all the ad agencies are imitating these days. You’re just… you. You bring something to every role that no other actor anywhere on the entire planet has the ability to do, and that’s by being yourself.

Now obviously you’re going to be someone else too, but this is where actual acting training and workshops and practice comes in. Figuring out how YOU can say those lines in a way that’s real for YOU. Not by trying to transform yourself into somebody else, which is actually impossible. Transport yourself in your mind to some alternate dimension where you, yourself, say those lines for a real reason. It’s much easier that way. Read Mamet’s True and False, it’s a handbook for this sort of thing.

Summary

So I think we’ve covered a lot of ground here. I can’t get too much deeper into a lot of stuff without it becoming some sort of blog-based actors workshop, but you have the basic ground rules covered with this post.

  • Shut Up
  • Know Your Lines
  • Don’t Be An Asshole
  • Watch TV
  • Be Yourself

Questions, comments, hit it.

Putting Junk In Your Trunk

This is something I’ve been meaning to write about but haven’t yet gotten around to. Well, I guess as of now I have gotten around to it, unless you count “now” as being “time of writing”, in which case, at this point, I have not yet written about what I am about to write about.

One of the best apps on the iPhone App Store is a little ditty called Trunk. It’s basically a personal wiki that you can use to store any kind of crap you desire, and can also be configured as a fairly robust productivity portal.

If you have no idea what that last sentence meant then you can probably stop reading now, you’re not missing anything.

If you have or had a Palm, you may have used a great program called NoteStudio. Trunk is similar in concept (or rather, exactly the same in concept) to NoteStudio, though the implementation details are different. Trunk uses Markdown syntax, which I know nothing about other than how it works in Trunk so just go Google that your damn self, thank you very much.

Here’s how I have my home screen set up in Trunk:

Orange!

Orange!

This is the main view. Now check out the actual text in “edit” mode that makes that view possible:

Today's Page: [[12_08_2009_14:11]]
***
{{action @todo}}
***
# Inbox
{{Background orange}}
[[Special:New]]
{{action @inbox}}
***
# Projects/Ideas/Blogs
{{tagged projects}}
***
#Recent
{{ recent 10 }}
***

You see? Those commands in edit view in the curly braces get processed when the page renders, showing you the information you really want to know.

What I use Trunk for is basically as a digest of garbage that flows out of my brain. I log every stupid thing that I think about on a daily page, putting a “@blahblah” tag on each item so that it shows up elsewhere:

Note the name of the page... it's the date!

Note the name of the page... it's the date!

So you tag something… how do you get it to show up somewhere else? For instance, on a daily page I may write something pithy and think it might work as a good piece of dialogue in some script that I’ll never write. I would write that on the daily page like this:

@dialogue Where be the ale, foul wench!

So how do I find it again without using Trunk’s excellent search feature? The easy way is to create a page called something bizarre like “Dialogue”, and tell that page to call up all “@dialogue” snippets from the entire Trunk catalogue:

I left in Ronin's stuff, he's brilliant.

I left in Ronin's stuff, he's brilliant.

Note how lazy I am in that my example dialogue does not appear in my screenshot. Get over it.

See that? It shows all of the things that I thought would be nice for someone to say, or at least someone who’s four years old, and also shows me the page that the actual note is located on. If you name your daily pages with, you know, the date, then there’s a nice side effect of knowing on which day you thought what you thought.

So just create a page for something you need to know (“Shopping List”), then open up today’s page and add something that you need to buy, preceded by “@shopping”. Bam, instant list! You can even add due dates and have a page only show items due in the next “X” days, but you can figure that out on your own if that’s your bag.

Quick tip: make an “Archive” page and put a {{action @done}} tag in there… then tag things that you do as “@done”. Instant archive of what you’ve completed.

Thanks for listening.

You Must Be Subjected To This

Never Much Liked Him On SNL, but…

Zombie Town Opens Friday!

Click the thing for the link to the place with the thing!

Zombie Town

The reason this is my favorite time of year

Another Trauma Audition, Plus Zombies

At least they keep calling me back in, right? I’m even told how brilliant I am and what a fantastic job I’m doing at these auditions (when it’s true), though I have to wonder at what point they’ll just be sick of looking at me. To be fair I haven’t yet heard back about the latest audition and it hasn’t quite been a week, so I could have booked it. I know I’m on the short list.

That same day I had two SAG national commercial auditions, so it was a bit busy last Friday.

Next Friday, October 9, being a week from tomorrow as of this writing, Zombie Town opens at the Exit Stage Left. It’s a riveting tale of horror, comedy, action, suspense, love unrequited, and redemption in the face of adversity. Several of those descriptors may even be true, so you’ll just have to stop by to check it out. Here’s some press on the show:

Oh did I mention? There will be a fiddle and a banjo playing during the changes, and it sounds AMAZING.